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Hotel Last Resort by Violent Femmes

Violent Femmes

Hotel Last Resort

Release Date: Jul 26, 2019

Genre(s): Pop/Rock

Record label: PIAS

67

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Album Review: Hotel Last Resort by Violent Femmes

Very Good, Based on 4 Critics

The Line of Best Fit - 70
Based on rating 7/10

Along with longtime bassist Brian Ritchie and Horns of Dilemma members John Sparrow and Blaise Garza, Violent Femmes have made…well, they've made another fun Violent Femmes record. Hotel, then, functions best both as a tour through their catalogue and as an introduction for newcomers. It features the silly, percussive acoustic numbers they're best known for ("Another Chorus" and "This Free Ride"); the requisite faith-based song ("Adam Was A Man"); the let's-see-what-happens experiment (the band's take on Pyx Lax's "I'm Not Gonna Cry"); and Gano's snide slackerisms throughout ("A chortle is still not a real laugh" and "Have mercy on me / I've got girl trouble up the ass").

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AllMusic - 70
Based on rating 7/10

Alternative rock institution the Violent Femmes soldiered through the years as one of the more consistent bands of their genre. Their sound shifted from record to record, but the sharp and cynical folk-punk that put them on the map in the early '80s remained at the core of even their most slickly produced work. Tenth studio album Hotel Last Resort continues with aspects of their signature sound but also expands on it subtly.

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Exclaim - 60
Based on rating 6/10

Historically, the hospitality industry has inspired a curious ennui in rock musicians. Hotels are for the transient and lonely, if you ask Elvis; liminal spaces of dystopic tedium, according to the Eagles. Just last year, Arctic Monkeys offered their own rendering of the trope: the fictionalized Tranquility Base Hotel & Casino serving as an allegory for the soullessness and detachment of 21st century consumerism.   With their latest release, Hotel Last Resort, the Violent Femmes contribute to the tradition, wielding the lyrical device to ….

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Consequence of Sound
Opinion: Mediocre

The Lowdown: Almost 40 years on from heralding the dawn of modern folk-punk with their self-titled debut, Violent Femmes remain something of a sonic law unto themselves. In fact, long resistant to second-guessing, the Milwaukee trio's whole M.O. could be distilled to wielding idiosyncrasy in tandem with pure accessibility. Often, the further out Gordon Gano and co.

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