IC-01 Hanoi

Album Review of IC-01 Hanoi by Unknown Mortal Orchestra.

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IC-01 Hanoi

Unknown Mortal Orchestra

IC-01 Hanoi by Unknown Mortal Orchestra

Release Date: Oct 26, 2018
Record label: Jagjaguwar
Genre(s): Jazz, Pop/Rock, Alternative/Indie Rock, Neo-Psychedelia, Avant-Garde Jazz

62 Music Critic Score
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IC-01 Hanoi - Fairly Good, Based on 3 Critics

Pitchfork - 65
Based on rating 6.5/10
65

Over the past two Unknown Mortal Orchestra albums, Ruban Nielson has tackled thorny topics that fall well outside the scope of most indie-rock outfits: primal urges, modern alienation, consumerism, and most notoriously, polyamory. At times, these investigations produced some of UMO's most fetching music to date, though they also resulted in a discomfiting sense of nakedness. Nielson's emphasis on these themes in his songwriting, along with forays into genres like soul and R&B, at times overshadowed his formidable talent for conjuring psychedelic realms with his six-string and an array of effects.

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DIY Magazine - 60
Based on rating 3/5
60

Though recorded during the making of recent LP ‘Sex & Food’, ‘IC-01 Hanoi’ - a collection of seven instrumental pieces, penned in Vietnam alongside local musician Minh Nguyen - goes beyond the usual remit of a standard ‘offcuts and extras’ record. Using a selection of traditional Vietnamese instruments to help concoct a series of disparate, enveloping jams, instead it finds lynchpin Ruban Nielson painting with a different set of tools to those that usually inform his underwater, bubbling psych. The results exist on the peripheries of what we know to be UMO - ‘Hanoi 4’ is a driving, groove-led funk workout, while ‘Hanoi 5’ pits all kind of warped gurgles against a nocturnal jazz saxophone.

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AllMusic - 60
Based on rating 6/10
60

IC-01 Hanoi is quite different from anything else in the Unknown Mortal Orchestra catalog. While in Vietnam recording the 2018 album Sex & Food, group leader Ruban Nielson, his brother drummer Kody Nielson, and bassist Jacob Portrait took some time out from the sessions to lay down some electric jazz tracks. They were joined by Vietnamese musician Minh Nguyen and the Nielsons' dad, Chris, on fl├╝gelhorn, saxophone, and keys.

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