Release Date: Sep 14, 2004
Record label: Maverick
The Prodigy's main man, Liam Howlett, said in an interview that usual bandmembers Keith Flint and Maxim weren't on the new album because this is a back-to-the-core record, one to find the soul of the Prodigy (dancer Leeroy Thornhill left the band years ago -- losing your dancer, always crippling). For anyone rooting for the band, it sounded like a good deal. Howlett came off as a mad beat scientist of great genius on his goin'-it-alone CD The Dirtchamber Sessions, Vol.
Seven years after The Fat Of The Land album took the Prodigy's quasi-rebellious dance-rock into millions of British houses, they seem to be imploding. Absent here are Keith Flint, the ecstasy-taker's Johnny Rotten, rap/beats man Maxim Reality and, apparently, an album's-worth of scrapped material. With founder Liam Howlett again manning the controls, the press release trumpets a "return to their breakbeat grooves", which is one way of spinning a collection of good grooves with little in the way of tunes.