Album Review: If Songs Could Be Held by Rosie Thomas

Rosie Thomas has once again succeeded in producing the most accessible record ever to bear the SubPop insignia. The Seattle-based singer/songwriter's 2002 and 2003 releases for the label were studies in introspective D.I.Y. simplicity, relying on the artists' fragile but expressive voice multi-tracked over winsome pianos, guitars, and xylophones. On her third offering, the equally introspective If Songs Could Be Held, Thomas has crafted a set of songs that wouldn't sound out of place spilling from the ceiling of an extremely popular coffeehouse chain.

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