Album Review of Parallels by Nosaj Thing.

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Nosaj Thing

Parallels by Nosaj Thing

Release Date: Sep 8, 2017
Record label: Innovative Leisure
Genre(s): Electronic

65 Music Critic Score
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Parallels - Fairly Good, Based on 3 Critics

The Line of Best Fit - 65
Based on rating 6.5/10

Parallels is Jason Chung’s fourth album as Nosaj Thing, and at this point he has a clear, unhurried confidence in his approach to making music. He gives ideas ample space to breathe and develop. The textures here are warmer and feel more lived-in than on his 2016 No Reality EP, though there is still a sense of deliberate detachment that allows listeners to feel the space between the synth lines and percussion to mostly positive ends. Because it’s a more abstract affair, Parallels lacks the intensity and edge of his debut, Drift, but it does have its share of attention-grabbing moments that show his utilitarian songcraft skills.

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Pitchfork - 64
Based on rating 6.4/10

Los Angeles electronic producer Jason Chung was never necessarily a loner, but he’s spent the last few years using his Nosaj Thing moniker as a way to try on an extroverted lifestyle. For the first time in his career, Chung has said he decided to become more sociable, and his fourth album, Parallels, captures that change. The Parallels sessions were a chance to make opposites attract: beauty and dissonance, love and regret, soul and machine. With opener “Nowhere,” that means partnering meditative piano with a rushed phone call.

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Clash Music
Their review was generally favourable

Los Angeles-based Jason Chung AKA Nosaj Thing’s fourth LP ‘Parallels’ signals a creative rebirth for the revered beatmaker. Following a self-proclaimed “identity crisis”, triggered after his gear was stolen while on tour, Chung took his time, unhurried in his approach to song craft, cultivating a record that manages to find a new sense of cordiality in collaboration, whilst retaining Nosaj Thing’s sense of abstract exploration. His past work under the Nosaj Thing moniker — pre-dating ‘Parallels’ — explored amorphous left-field, house and glitch-hop soundscapes, his eye and attention to every minuscule detail the reason he is so valued in the LA music scene.

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