Release Date: Nov 1, 2024
Genre(s): Pop/Rock
Record label: P. W. Elverum & Sun
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Anacortes, Washington, which may be the essence of Mount Eerie in city form, should be addressed to either side of my ears, as if natural splendour is a portable device to Elverum. When he sings, it's a closely felt lullaby. When he strums his guitars, he creatively pings them between ears, as if the listener is surrounded by a naturally occurring indie folk band.
Phil Elverum continues to muddy the idea of a musical identity on his first album since 2020. That was billed by The Microphones, yet sounded closer to his autobiographical reflections of grief as Mount Eerie. Night Palace is a Mount Eerie record, but is genetically linked to The Glow Pt. 2… which he made as The Microphones.
Mount Eerie's 2017 album A Crow Looked at Me and its follow-up, 2018's Now Only, were largely acoustic efforts filled with intensely pained songs written in the aftermath of the death of songwriter and producer Phil Elverum's wife, Genevieve Castrée. Songs like the aching "Real Death" frankly questioned the purpose of making art at all. Mount Eerie's new album, Night Palace, is far more guarded, filled with Motorik beats and buzzing guitars that threaten to swallow up Elverum's fragile vocals.
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