Bubblegum

Album Review of Bubblegum by Mark Lanegan Band.

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Bubblegum

Mark Lanegan Band

Bubblegum by Mark Lanegan Band

Release Date: Aug 10, 2004
Record label: Beggars Banquet
Genre(s): Rock, Alternative

80 Music Critic Score
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Bubblegum - Very Good, Based on 2 Critics

AllMusic - 80
Based on rating 8/10
80

With the Screaming Trees an increasingly distant memory and his brief tenure with Queens of the Stone Age seemingly over and done, Mark Lanegan appears to have well and truly become a solo artist, and while the dark and blues-shot introspections of Whiskey for the Holy Ghost and The Winding Sheet felt like a respite from Lanegan's usual musical diet of the time, Bubblegum sounds like an effort to fuse the nocturnal atmospherics of his solo work with the impressive brain/brawn ratio of his better-known bands. Credited to the Mark Lanegan Band (though there's no consistent set of musicians from track to track), Bubblegum is hardly short on the moody stuff, with Lanegan's nicotine-buffered pipes leading these songs though any number of empty streets and unhappy events, as on the jonesed-out road trip of "Strange Religion," the pained drift of "One Hundred Days," and the wasted longing of "Morning Glory Wine" -- notice a common theme yet? (Oh, and in case you were wondering, the album's title refers not to teen-centric pop music, but a line from his song "Bombed": "When I'm bombed, I stretch like bubblegum/And look too long straight at the morning sun. ") But Lanegan was also of a mind to rock out a bit while making this album (or figured that his newer fans were expecting it of him), and with his QOTSA pals Josh Homme and Nick Oliveri helping out on a few cuts, he does indeed deliver the rock, most notably the clanking menace of "Methamphetamine Blues," the straightforward bash of "Sideways in Reverse," and the organ-driven ooze of "Hit the City" (the latter featuring Polly Jean Harvey in an inspired duet appearance).

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The Guardian - 80
Based on rating 4/5
80

Authenticity in rock is a knotty subject, back on the agenda thanks to Joss Stone's Mercury Prize nomination. No sooner was the shortlist announced than voices began complaining that Stone's own voice cannot be genuine. The 17-year-old sings in a manner that suggests nobody knows the trouble she's seen, when the only trouble she has seen back home in Devon involves the closure of the local sub-post office.

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