Album Review of Labyrinth by Doon Kanda.

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Doon Kanda

Release Date: Nov 29, 2019
Record label: Hyperdub
Genre(s): Electronic

65 Music Critic Score
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Labyrinth - Fairly Good, Based on 3 Critics

Pitchfork - 65
Based on rating 6.5/10

Skin is a boundary that Jesse Kanda trespasses in his visual works. A frequent collaborator of Björk, Arca, and FKA twigs, Kanda creates worlds of opalescent membranes and semi-human figures that match those artists' ideas about the physical body. In the video he directed for twigs' early track "How's That," a glistening human form deflates and then billows like a scrap of silk.

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Resident Advisor
Their review was generally favourable

Jesse Kanda isn't just an artist who makes images. He's a worldbuilder. This process of constructing an imaginary world is usually associated with video game designers, science-fiction writers and Dungeons & Dragons players. Kanda's characters, however, have slipped and stretched across the album covers and music videos of Arca, FKA twigs and Björk.

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The Guardian
Their review was only somewhat favourable

J esse Kanda has made a considerable mark on culture with his graphic design - his mythic, bulbous, gender-indeterminate beings are the perfect foil for Arca's music, and he has made beautiful, influential collaborations with FKA twigs and Björk. He then moved into music, as Doon Kanda, with two EPs leading up to this debut album, featuring another melancholy demigod on the cover. A major theme of the decade's electronic music has been the embrace of sounds that were regarded by most people as aural trash, from the ringtone kitsch of James Ferraro's Far Side Virtual to Oneohtrix Point Never, PC Music and the vaporwave scene.

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